Liberty Publisher

MASS COMMUNICATION

2023-01-04T01:19:53+03:00

Advised to print with the decision dated 26.09.2022
Scientific Council of Baku State University Faculty of Journalism
Scientific editor: Aytekin Zeynalova
BSU, director of the "Journalism" Scientific-Research Laboratory, associate professor
Editor: Rovshan Mehdiyev Journalist
English editor: Guney Mahmudova
BSU, "Journalism" Scientific Research Laboratory, researcher
Allahverdi Mammadli
BSU, Faculty of Journalism, professor
Sadigova Afaq
BSU, "Journalism" Scientific Research Laboratory, researcher
Guney Mahmudova
BSU, "Journalism" Scientific Research Laboratory, researcher
Gunay Mammadova
BSU, "Journalism" Scientific Research Laboratory, researcher
Nigar Aghayeva
BSU, "Journalism" Scientific Research Laboratory, researcher
Eldar Jafarov
BSU, Department of International Relations, Lecturer, PhD in political science
Turan Akkoyun
Aydın Adnan Menderes University, professor
Nurettin Güz
Istanbul Ticaret University, professor
Muharrem Çetin
Kastamonu University, professor
Nurhan Kara
Izmir Katip Çelebi University, associate professor
Vedat Yılmaz
Malatya Turgut Özal University, associate professor
Mehmet Mecek
Afyon Kocatepe University, Lecturer
Kurşad Özkaynar
Sivas Cumhuriyet University, associate professor
Selim Çam
Sivas Cumhuriyet University, associate professor
Selçuk Yasin Yıldız
Sivas Cumhuriyet University, associate professor
Composer designer: Sara Parlanova
Author of the logo: Zumrud Nazarova (Logo.az)
Graphic designer: Vusal Bayramov

Exploring Feminism in Ama Ata Aidoo’s Changes and Anowa: a Systemic Functional Approach

2023-01-04T01:35:56+03:00

Présentée et soutenue publiquement le 22 mars 2019 par :
Issa DJIMET
Jury de soutenance :
Président : M. Maxime da CRUZ, Professeur titulaire, UAC, Bénin
Rapporteur : M. Léonard KOUSSOUHON, Professeur titulaire, UAC, Bénin
Examinateurs : M. Innocent KOUTCHADE, Maître de conférences, UAC, Bénin
M. Komla Messan NUBUKPO, Professeur titulaire, UL, Togo
M. Ataféï PEWISSI, Professeur titulaire, UL, Togo
Directeur de la thèse :
Léonard KOUSSOUHON, Professeur titulaire (CAMES) de Langue et Lingustique
Anglaises, et de Litterature Africaine Anglophonne
Année Académique 2017-2018

TOPONYMIC HERITAGE OF YASSAWI AND TOPONYMY OF THE TURKESTAN REGION

2023-01-05T22:36:29+03:00

Meiirbekov A.K., Meirbekov A.K. М40 Toponymic heritage of Yassawi and toponymy of the Turkestan region: Monograph / Meiirbekov A.K., Meirbekov A.K. – New York, USA, «Liberty Publisher of Books Ltd.» 2022 y. -214 p. Monograph identifies the object of research in the field of "Nomad toponymy", which is reflected in the new Kazakh identity of the doctrine of onomastics, explained its importance and relevance to the general public. Through language units,"Nomad toponymy" reveals a new aspect of our spiritual values, their role in our history and culture. The monograph is intended for researchers, PhD students, undergraduates and students of higher education institutions that train philologists. The monograph cover about 1,400 toponyms of the Turkestan region, and offer correct spelling options in the state Kazakh, Russian and English languages. The monography was carried out with the financial support of the Ministry of education and science of the Republic of Kazakhstan in the framework of the scientific project AP08053105. Approved by the decision of Khoja Akhmet Yassawi International KazakhTurkish University Senate’s session, Protocol №1, dated 28.09.2022 and recommended for publication.

PHONOSEMANTIC CHARACTERISTICS OF KAZAKH TOPONYMS

2023-01-05T22:57:52+03:00

The monography considers the problem of glottochrony of very ancient «smoked» words, considering the Kazakh toponyms belonging to the group of first names and geographical appeals in the main vocabulary from the point of view of phonosemantics. Interlingual genetic and typological similarities are identified, the background nature of sounds is differentiated on the basis of sound imitation, imagery theory, the features of labeling are expressed in different aspects. The monograph is intended for researchers, PhD students, undergraduates and students of higher education institutions that train philologists. The monography was carried out with the financial support of the Ministry of education and science of the Republic of Kazakhstan in the framework of the scientific
project AP08053105. Approved by the decision of Khoja Akhmet Yassawi International Kazakh-Turkish University Senate’s session, Protocol №1, dated 28.09.2022 and recommended for publication.

Artistic Characteristics of 20th Century Azerbaijan Painting

2023-03-06T00:16:28+03:00

Although Azerbaijani fine art has an ancient history and rich artistic traditions, it is undeniable that it has been significantly updated and enriched in terms of types, genres and themes since the 20th century. This was primarily due to the fact that after the occupation of Azerbaijan by the 11th Army, the social and political structure in the local area developed in a very different form and content than before. If we have to connect this serious innovation directly with the field of painting, then we must say that artistic principles have undergone a more serious change in this space. Thus, at the turn of the century, the artistic principles of European-Russian painting were showing their influence in Azerbaijan. Let us add that in that period - the end of the 19th century and the beginning of the 20th century - the strong influence of the traditions of realism on the Azerbaijani visual art was undoubtedly related to the formation of artistic processes in a new direction in Baku, which was exposed to a noticeable influx of foreigners due to the development of the oil industry. The special education of Azerbaijani youth, the publication of newspapers and magazines, as well as the presentation of various exhibitions to the public caused the emergence of a new creative environment in the emerging visual arts space in the country's capital. This picture was further renewed after the Sovietization of the country. The opening of an art school in Baku, the opening of museums, and the organization of various scale exhibitions gave impetus to the enrichment of the Azerbaijani art space with local personnel, the creation and development of various fields of art. Indeed, the establishment of an art school in Baku in 1920 and the training of personnel who will develop various types of visual and decorative-applied art in the local area soon after can be counted among the main reasons for the development in the art space. No matter how much the development of Soviet art in Azerbaijan in the 20th century, which was distinguished by its close attachment to ideology, was filled with political calls and recommendations, the opposing generations of artists managed to create works that could enrich our national fine art store by expressing a creative attitude to national values in this artistic space full of contrasts. The development of our national fine art, including painting, which took place in conditions where artistic processes replaced each other, led to the development of creators with different styles in this field. In the end, all this led to 7 the enrichment of Azerbaijani art with unique artistic and aesthetic features, we would not be mistaken. By interpreting the works of various genres and themes created in those years, we can reveal and appreciate the artistic features that characterize the 20th century Azerbaijani painting...